Filk music - Wikipedia. Filk music is a musical culture, genre, and community tied to science fiction/fantasy/horror fandom and a type of fan labor. The genre has been active since the early 1. Etymology and definitions.
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Sometimes, it is also used to refer to a gathering with the primary purpose of singing filk songs. Of course, there are grey areas. To participate in a filk song circle, as in, . Setting satirical or parody lyrics to established tunes is not exclusively the province of science fiction fandom. Works of parody music such as those found in MAD Magazine or performed by Weird Al Yankovic have their own long- established traditions and history.
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As Interfilk's What is it? Filkers have been known to write filk songs about a variety of topics, including but not limited to tangentially related topics such as computers and cats. In addition, while the majority of filk songs are in the folk style, other styles such as blues, calypso, and even rock appear from time to time.
Performer. This definition might be summarized as, . As described later in this article, the origins of filk in science fiction conventions and its current organization emphasizes the social- network aspect of filking.
The social aspect of filk as contrasted with the . The boundaries of filking are vague. For example, filking overlaps with the singing and music performed by participants in the Society for Creative Anachronism or at LARPs. Styles and subjects. While a plurality of filk is rooted firmly in acoustic- instrument folk music, other pieces and artists draw inspiration from rock, a cappella vocal groups, or other styles. The hobbyist and itinerant nature of filk events (especially filk circles) gives some advantages to acoustic- vocal soloists and small groups, who need only carry a lightweight instrument or two and whose rehearsals do not need to balance scheduling logistics against regular work and other obligations. One of the few rock- style groups in filk has been Ookla the Mok, whose studio recordings use techniques common in modern rock.
Some styles of filk rely heavily on sampling the original source material and integrating it into electronica and hip- hop music such as 7. Objects in Space (an homage to the popular TV show Firefly, which itself featured several filk songs) and DJ Qbert's Wave Twisters. The range of topics in filk songs stems from its cultural roots in fandom. Many songs honor specific works in science fiction, fantasy, or speculative fiction.
Other songs are about science, fantasy, computers, technology in general, or values related to technological change. Many filk songs (such as Leslie Fish's . Such topics include songs about cats, popular culture, and politics. These are perhaps best explained as an outgrowth of filk as a folk culture, open in some respects to expansion by individual artists.
A significant number of filk songs are parodies, whether in the original sense of simply re- using a tune or in the modern sense of specifically humorous re- use. Although parody is not the primary focus of the filk music culture, the proportion of parody songs found in filk is higher than in other musical cultures. One subtype of filk songs is the . The term derives from the word . Tom Lehrer's (non- filk) . Part of this practice may have been rooted in an older folk culture of fans.
Some of the oldest filks coming out of fandom were protest songs with original words and music written by a group of New York fans called The Futurians, and were written by Fred Pohl and Cyril Kornbluth (see Damon Knight's book of the same name, which contains the words and music to several of them). With the break up of the city clubs common during the Great Depression, filking moved to science fiction conventions, often in the form of late- night singing sessions in hotel rooms, lobbies, service passages, or wherever else the filkers could find enough room to play/sing music uninterrupted. In the early 1. 95. Lee Jacobs, . Wrai Ballard, then editor of the Spectator Amateur Press Society refused to publish it for fear that the article's bawdy content could get them into trouble with the Post Office under the Comstock Laws, but found the typo itself amusing, and mentioned it repeatedly. Its first documented deliberate use was by Karen Anderson in Die Zeitschrift f. While many of those original songs faded into obscurity, some remained popular for decades. By the late 1. 97.
Kantele and Philk Fee- Nom- Ee- Non offered a ready outlet for filk writers. At the 1. 97. 4 World Science Fiction Convention author Bob Asprin announced publicly the creation of a group of volunteers he dubbed the Dorsai Irregulars, and a singing session ensued later that night.
Some convention organizers allotted hotel function space late at night for filkers, or filking occurred in hallways, bars or any other place that the filkers could find. Some convention organizers in the 1. Some specialized conventions focused entirely on filk, beginning with Filk. Con in Chicago in 1. Margaret Middleton and Curt Clemmer, later joined by Bay. Filk in Northern California; the Ohio Valley Filk Fest (OVFF) in Columbus, Ohio; Con. Chord in Los Angeles and in San Diego.
The first was a British Filk Fund. Beginning with British filker Mike Whitaker in 1. Interfilk subsidies in its first decade.
OVFF began presenting the Pegasus Award annually for excellence in filk in 1. Filk. Ontario started the Filk Hall of Fame in 1. After years of amateur tape recordings made at filksings, a trickle of studio- produced albums and tapes began to arrive in the 1. These included Folk Songs for Folk Who Ain't Been Yet, featuring Leslie Fish and friends, and Children of the Future by Karen Willson. Off Centaur Publications was one of the first formal attempts to regularly produce and promote filk albums, followed by many others since.
As the costs of amateur album production dropped in the 1. E- mail and the internet have also fostered the networking of self- identified filkers.
In the late 1. 98. California filker Kay Shapero created the filk group on the Fidonet hobbyist network of electronic bulletin boards. The later creation of other electronic forums — the Usenet group, a United Kingdom e- mail list FILK. The availability of several hundred albums labeled filk, the proliferation of specialty filk conventions, and the continued growth of electronic means for community connections have led to an intensification of community building. A few years into the 2. On the album Precious Friend, Pete Seeger and Arlo Guthrie perform . Most of the verses of this version were by Gordon Dickson; when Seeger finally discovered this, after the album was issued, he sent royalties on to Dickson.
Filk Circle. Similar to the Drum Circles and Bardic Circles found at SCA events and other fannish events, filk circles can be formed in any location where filkers gather. Filk circles are different from concert- style musical performances.
Although filk music can also be performed in front of an audience, and there are concerts scheduled at filk conventions and science fiction conventions worldwide, filk circles are a more common occurrence. The purpose of a filk circle is for musicians to share songs with other musicians, so performing and listening are given equal emphasis. In a filk circle, there is no stage, there is no audience. Those who participate in a filk circle may choose to perform, to listen, or both. Performers may know only one song, or may know an extensive library of songs. Participants are usually encouraged to join in and sing along or play along on their instruments.
Filk circles can be formalized parts of larger events, such as being assigned a specific time and location on the schedule of a science fiction convention, or they can be completely informal and spontaneous, forming organically in hotel hallways and lobbies. Filk- specific conventions will usually have multiple filk circles happening simultaneously in different rooms, with some circles focused on a single style or topic. Local parties called housefilks are day- long events organized around a single filk circle held in the host's home.
Physical layout. The purpose of the circular formation is both symbolic and functional: By having everyone face each other, it honors all participants as equals, it emphasizes both listening and performing, and it makes each participant visible to every other participant. A circle that is too large for the number of participants tends to feel uncomfortably empty, but a circle that is too small must enlarge as the number of participants grows. The disruption that results from attempting to enlarge a filk circle in progress can break up the flow of the songs and change the mood, so enlarging the circle is often avoided in favor of adding extra layers (concentric circles) outside the inner circle (space permitting). Time of day. Filk circles have been known to continue all night, or at least into the early morning hours.
Those organizing formal filk circles at conventions usually make arrangements with the hotel to have space available for the entire night. There are many exceptions to this; it's not uncommon to find a housefilk scheduled to start in the early afternoon and end in the early evening, for example, to allow participants to get home to sleep. Musical instruments. Most performers who bring instruments such as guitars are usually happy to loan their instruments to someone who comes to the circle without one. A wide range of instruments can be found in a filk circle, although the most common is the acoustic guitar.
A large filk circle might play host to an array of folk and Celtic instruments such as fiddles, mandolins, dulcimers, banjos, flutes, recorders, bodhr. They can be given with spoken introductions and explanations, or they can be simply played and allowed to speak for themselves. Songs can be chosen to fit the current mood or theme, or they may be chosen to deliberately change the mood.